Online
‘Universal Substitution,’ e-flux (July 2025).
‘Gillian Rose’s Marxist Modernism,’ Critical Inquiry (April 2025).
‘Irene V. Small’s The Organic Line,‘ The Brooklyn Rail (April 2025).
‘Bad Object: Errant Marxist-Lacanian Ideology,’ Parapraxis (January 2025).
‘Ben Ware’s On Extinction,’ Marx and Philosophy Review of Books (August 2024).
Books
Understanding Lacan, Understanding Modernism. Bloomsbury, 2025.
Roberto Schwarz and World Literature. Palgrave Macmillan, 2024.
Genres of Transition: Literature and Economy in Portuguese-Speaking Southern Africa. Liverpool University Press, 2024.
Essays
‘Confessional Desire: Censorship and Repression in Mário de Sá-Carneiro’s A Confissão de Lúcio,’ Journal of Modern Literature 48.1 (2024).
‘Subjective Form: Registration and World Literature,’ in Roberto Schwarz and World Literature. Palgrave Macmillan, 2024.
‘Negative Exoticism: João Paulo Borges Coelho and the Global Literary Marketplace,’ in Cultural Labour and Contemporary World Literatures in Portuguese, ed. by Carlos Garrido Castellano. Palgrave Macmillan, 2024.
(with Peter J. Maurits), ‘Bifurcated Futures: Generic Discontinuities and Speculative Form in the Post-2008 African Novel,’ Journal of Postcolonial Writing (2024).
‘Dead Loss: Freud and the Aesthetics of Mourning,’ Paragraph 47.2 (2024).
‘Stably Unusual: Artistic Labor and Aesthetic Autonomy,’ Qui Parle 32.2 (2023).
‘Pessoa, Lacan and the Ethics of Desire,’ Portuguese Studies 39.1 (2023).
‘Subjects of Exchange: Between Lacan and the Neue Marx-Lektüre,’ Rethinking Marxism 35.2 (2023).
‘Messianic Failure: Ondjaki and the Form of Critique’, Research in African Literatures 53.2 (2022).
‘Literature and Economy in Portuguese-speaking Southern Africa,’ CLCWeb: Comparative Literature and Culture, 24.1 (2022).
‘Zombie Proletkino: Labour, Race and Genre in Pedro Costa’s Casa de Lava,’ in Decolonizing the Undead, ed. by Stephen Shapiro, Giulia Champion and Roxanne Douglas. Bloomsbury, 2022.
‘Mozambican Literature, Neoliberalism and the Long 1980s,’ Modern Fiction Studies 68.1 (2022).
‘Spectrality, Marxism and the Critique of Value,’ Critique 49.1-2 (2021).
‘World Energy Literature: Oil, Finance and Abstraction in João Paulo Borges Coelho’s Campo de Trânsito,’ Textual Practice 35.3 (2021).
‘The Blue Cultural Fix: Water-Spirits and World-Ecology in Jorge Amado’s Mar Morto and Pepetela’s O Desejo de Kianda,’ Humanities 9.3 (2020).
‘Spectres of a Petrostate: Critical Irrealism and Social Contradiction in Ondjaki’s Os Transparentes,’ African Identities 18.1-2 (2020).
‘Translatability and the “African Modern” in Mozambican Contemporary Art,’ The Contemporary Journal 1 (2019).
‘Recreating Resistance: Translating José Luandino Vieira’s Luuanda,’ Xanthos 1 (2019).
Interviews
‘Apresentando o WReC: uma entrevista com Neil Lazarus, Sharae Deckard e Michael Niblett,’ Via Atlântica 40.1 (2021).
Reviews
‘Literary Fictions of the Contemporary Art System: Global Perspectives in Spanish and Portuguese by Carlos Garrido Castellano (review),’ Portuguese Studies 39.2 (2023).
‘The Mozambican Modern Ghost Story: The Genealogy of a Genre by Peter J. Maurits (review),’ Portuguese Studies 38.2 (2022).
Translations
Paulo Eduardo Arantes, ‘Dual but Combined: Roberto Schwarz and the Sense of the Dialectic’, trans. by Emilio Sauri and Thomas Waller, in Roberto Schwarz and World Literature. Palgrave Macmillan, 2024.
Other
‘Diary from the Third Millennium,’ Wasafiri (June 2020).